Surely Maurice Sendak was looking at carvings like this when he drew Where the Wild Things Are. Like Sendak’s monsters, this fearsome deity is actually benevolent, tending eagle-eyed to a palm tree in some sacred ritual now lost to us. The carving comes from the palace of a King Ashurnasirpal II. His name, and his kingship, and indeed the Assyrian empire which he ruled for a time, are mostly forgotten now. We sail back over centuries and in and out of years, into the moment when a person like us carved this fantastical souvenir that has survived into our present.
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This post is part of MFAH 100, a series featuring works from the collection of the Museum of Fine Arts, Houston, in honor of its 100th birthday. 100 words on 100 works in 100 days.
Have a piece you’d like me to consider? Send a message or leave a comment—I can’t promise I’ll include it but I will give it a serious look.
Yes....a connection, indeed....thank you..