21. Caddo Pottery R2-D2
Nothing happens in cultural isolation.

Caddo pottery was among the most refined ceramics in all of North America, traded throughout the Southeast before European arrival. Objects ranging from everyday vessels to sacred burial effigies were renowned for their artistry and technical excellence. The tradition had almost completely died out, however, until the early 1990s, when a handful of Caddo potters set out to revive ancestral techniques: digging the clay, hand-building using coils, firing in an open pit fire, polishing and incising the surface.
Chase Kahwinhut Earles is a contemporary Caddo artist who continues the pottery revival. He is also a person living in the 21st-century, alive and awake and swimming in the same culture we all are. And he loves Star Wars.
Even as Earles sculpts wonderfully compelling animal figures drawn from his tribe’s mythology, he has also re-created iconic Star Wars characters and spaceships using the same ancient techniques. We might be tempted to find this incongruous—shouldn’t he should stick to traditional Caddo subjects if he’s going to help revive traditional Caddo pottery? But artists should not be pigeonholed into making work about their cultural identity, asked to stand apart from the powerful slipstreams of human culture. Part of Star Wars’ success is its fusion of futuristic and traditional-looking iconography in its retelling of ancient myths about power, origin, and transcendence. With a light touch, Earles’ Star Wars figures demonstrate how nothing happens in cultural isolation, how there’s no such thing as a vacuum of cultural purity. How we are never operating alone.
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This post is part of The American 250, a series featuring 250 words on 250 objects made by Americans, located in America, in honor of the country’s 250th anniversary. Through December 31, 2026.
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Loved seeing this! Last year, the Old Jail art Center tried to arrange a future exhibit/installation of Chase Kahwinhut Earles' work, but his work is so popular he has no inventory! (That's a good thing for him.)
This is wonderful. I smile thinking of the pueblo pottery here in New Mexico, and I marvel at the beauty of this piece. I especially love "nothing happens in cultural isolation," and will marvel again at my storytellers and turtles and creches...thank you...